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Cynthia Laureen Vogt: Nights on Dry Land

Cynthia Laureen Vogt: Nights on Dry Land

October 30 – November 23, 2013 Amos Eno Gallery is pleased to present, Nights on Dry Land & other photographic artist’s books, a solo...

Jane McClintock: Florida Reflections SRQ

Jane McClintock: Florida Reflections SRQ

October 2 – October 26, 2013 Amos Eno Gallery is pleased to present, Florida Reflections SRQ, a solo exhibition of one of our longest...

Wouldn’t You Know?: Notes on "Favorite Thing"

Wouldn’t You Know?: Notes on "Favorite Thing"

filthy dreams: Gentrification and Collective Grieving over NYC's Lost Lesbian Spaces

filthy dreams: Gentrification and Collective Grieving over NYC's Lost Lesbian Spaces

A Herstory of Lesbian Bars in NYC: Gwen Shockey Charts No Man’s Land

A Herstory of Lesbian Bars in NYC: Gwen Shockey Charts No Man’s Land

Painter Robert McCann on the Allegorical and Absurd, with More Special Effect Audio Than You've

Painter Robert McCann on the Allegorical and Absurd, with More Special Effect Audio Than You've

Meet Chris Esposito, A New York Native Feeling A Bit Lost These Days

Meet Chris Esposito, A New York Native Feeling A Bit Lost These Days

Recent Posts

"Up, at the moon" choreographed by Michelle Thompson Ulerich & performed at Amos Eno Gallery

Wouldn’t You Know?: Notes on "Favorite Thing"

Toward Self Re-Creation: Aaron Wilder’s New Alphabet

Realities: Artists in Hyper/Reality and Sur/Reality Open Up About Working in the Studio

'Carrying Memory': Irja Bodén in conversation for "Fractured Light"

Interview with José-Ricardo Presman: How did we get here?

Studio Shots

Cannibal Metaphysics reading group

Artist Interview with Mimi Oritsky

Anti-Oedipus reading group

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