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Birds in the shadows, Love in the air
Post It Modernism_oil on canvas_HM
Bosnian Resurrection
Pixelated Pitcher
Morning Swim
Sexism
Peaceful?
The Bitch With the Agenda

Hatidza Mulic

 

Through my paintings I am exploring the visible and invisible about human nature. I am fascinated by the essential unreality of the human condition. What starts out as hope soon becomes corrupted, leaving only a sense of nihilism and the dawn of a new beginning. I always had a curiosity about someone else’s point of view and how to arrive at another’s viewpoint. This destination represents the key to wholeness... Each of these oil paintings represents a whole, a whole persona.


We all desire respect, inclusion and recognition from others, while often in return we only offer sarcasm, sexism and cynicism.

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Hatidža Mulić (Hatidza Mulic) was born in 1976 in Banja Luka, Bosnia and Herzegovina. She immigrated to the United States in 1995 subsequent to the Bosnian War as a political refugee. With her paintings she often address autobiographically consequential experiences along with xenophobia and bigotry that are ever-present in the 21st century. These works were part of national and international exhibitions in: Dubrovnik, Croatia; Seattle, Washington; Louisville, Kentucky; Indianapolis, Indiana; New York, NY; Atlanta, Georgia; Kumla, Sweden; Ghana, Africa; Orebro, Sweden; Sarajevo, Bosnia and Herzegovina; Colmar, France. She is currently teaching in Drawing and Painting Department at the University of Georgia.

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